Leo #0012
Alder body, one-piece roasted maple neck with stainless steel frets, 9.5″ radius, aged nitro finish, nickel hardware, 15:1 split-shaft tuners, A5 vintage-voiced pickups, reverse control plate, bone nut.
Past builds
Guitars that have come off the bench. Want the next one? Get on the list.
T-style, aged nitro, alder and roasted maple. What I build now.
Alder body, one-piece roasted maple neck with stainless steel frets, 9.5″ radius, aged nitro finish, nickel hardware, 15:1 split-shaft tuners, A5 vintage-voiced pickups, reverse control plate, bone nut.
Pink aged nitro over alder, mint pickguard, the full Leo spec.
Heavily aged sunburst nitro over alder, one-piece roasted maple neck, stainless medium jumbo frets, aged nickel hardware, reverse T bridge with compensated brass saddles, orange drop cap.
Alder body, roasted maple neck with rosewood fingerboard, aged nitro finish, Alnico V pickups, aged nickel hardware.
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Butterscotch nitro, black guard. Measured: neck 7.2kΩ / 2.14H, bridge 7.91kΩ / 4.03H. Set up at 4/64″ at the 12th fret with .010″ relief.
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Play-throughs of Leos from the bench, newest first.
Before I narrowed it down: offsets, thinlines, prototypes and a few one-offs.
Two-piece pine body, poplar neck with red oak fingerboard, 9.5–12″ compound radius, P90 and humbucker, JM-style trem.
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Semi-hollow pine body with a birch ply top, soft V-to-D neck, rosewood fingerboard, Mastery bridge, Swope Descendant vibrato.
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A lower bout over 15″ wide on a 1.5″ laminated pine body, 7 lb 2 oz. Roasted maple neck, P90s, JM trem, aged thin lacquer.
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A5 humbuckers, roasted maple neck, medium jumbo frets, locking tuners, Tune-o-matic bridge, distressed metallic copper.
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ToneShapers wiring with Blender pot and treble bleed, Fender Vintera ’60s pickups, Duesenberg Les Trem II.
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“When you’re wearing a tux, but there’s still dirt under your fingernails.”
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Laminated pine body, roasted maple neck with rosewood fingerboard, A2 P90s.
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Roasted maple neck with rosewood fingerboard, A2 P90s, roller bridge.
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22-fret roasted maple neck, A2 P90s, locking Kluson-style tuners, JM-style trem, reclaimed wooden pickguard.
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Two-piece poplar slab body, roasted maple neck, rosewood fingerboard, Fender ’62 Custom neck pickup, Seymour Duncan Little ’59 bridge, Wilkinson brass-saddle bridge. Butterscotch, knocked back to feel like a ’52.
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Laminated spruce bodies, shou sugi ban, thin lacquer color and a shellac top coat.
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An offset mutt from the parts stash: 25.5″ scale, alnico P90s, vintage JM-style bridge and trem, metallic blue, Canadian maple neck with black block inlays.
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I’m one guy and a working musician, so only a handful of guitars come off the bench. Leave your email and you’ll hear about each new one before it goes anywhere else. One email per guitar. No spam, ever.